• KAPA Magazine

Designers of Hawaii - Kaimi Kajiyama

We speak with Kaimi Kajiyama, fashion designer from the Big Island who has lived in

Hawaii his entire life. Kaimi moved to Oahu to pursue a career in fashion because there aren't

as many opportunities on the big island. He tells us that even at a young age, he knew he

wanted to be a fashion designer, saying that...

“Some people often struggle to figure out what they want to be in life, but I'm very fortunate that I've always been unwavering in my interest.”

So what is Kaimi up to now? He currently works as an apprentice tailor at Nordstrom!

Most of the work that he does on a weekly basis is alterations, but he tell us that they also offer services like monogramming and have promotional events including embroidering face masks and heat pressing Santa sacks for customers for the holidays.

The last time KAPA worked with Kaimi, he was still attending UH Manoa's fashion program. Since then, he has graduated, had some of his work in their annual fashion show, and worked for a bridal/prom/pageant dress shop in alterations.

Kaimi started off doing an internship with the bridal shop and eventually, they offered to pay him to do alterations. He tells us that while working there turned into a difficult situation, it was a huge learning opportunity at the same time. And at the end of the day, he feels that working with

this company made him appreciate the job he has currently much more.

While at UH Manoa, Kaimi also did some design work for drag queens, pageant queens and

upcycled an outfit through Goodwill for Wedding Week Hawaii in 2018.  

KAPA wanted to get the inside scoop of what it was like to study at the UH fashion department of

design, in which Kaimi tells us that studying at UH Manoa gave him the foundation of skills to

sew, design and draft patterns.

He says, “I think most people have a skewed perception of what fashion design encompasses. When you plan a collection, you need to think about the price point, the materials, the patternmaking, the construction – there are so many different elements that come together to create clothing.

When I was at UH Manoa, the teachers help you to not only create a concept, but make you think about all the steps that lead to achieving it. I think the most important piece of knowledge I gained from there was using critical thinking when it comes to design. It can be easy to sketch a pretty illustration of a garment, but it's how you are able to construct it that really matters.”

Not only that, Kaimi has also been afforded some incredible opportunities from the program!

From 3D printing a dress from scratch and attending a 3D printing conference, to attending the

MAGIC trade show in Las Vegas one year, he even had the chance to co-author some research

on smart textiles while there, and he had a garment that was accepted into the ITAA

(International Textile and Apparel Association) where he was able to present it in Cleveland


Because he had transferred from another university and taken most of his general ed

requirements, when he got to Manoa, he was able to fill up his whole roster with nothing but

sewing and design courses and really immersed himself into it, wanting to dedicate himself to

learning patternmaking and design. Kaimi says that sewing is a learning curve and ultimately

requires you to put in the hours.

Kaimi tells us of his time at UH Manoa, “I think the experience is really what you make of it. I

was really motivated to take every opportunity I could and hustle for what I wanted, and I feel

like it paid off in the end. I was able to do so much and grow so much in my two and a half years


With inspiration being a large part of the design process, we wanted to know where Kaimi’s

inspiration comes from and what might prevent that at times. Kaimi’s response?

“My approach to design is that fashion can communicate so much, from your emotions to even broad abstract concepts like the political climate. For me, when I design, what I'm really doing is storytelling. My personal sense of style has always been on the more adventurous side. I have such an appreciation for unique design elements that make a garment stand out, whether it's a ruffle, fringe, rhinestones, unique style lines, or a bold silhouette…something that catches the eye.”

Kaimi says that he’s also really inspired by the strange and bizarre, from the un-comfortability

we feel from porcelain dolls to an appreciation for the idea of a haunting beauty. He likes to

challenge the idea of what we might conventionally find beautiful.

Another source of inspiration comes from nature, particularly insects and their unique patterns

and symmetry. He tells us, “I rarely get uninspired, but I usually have the opposite problem. I

often have so many ideas in my head that it can be hard to commit to a single idea.”

Since Kaimi is finished with UH Manoa's fashion program and now works in design, he says that

his favorite things to design are drag costumes for some of the local drag queens, as well as for

himself, along with pageant gowns, which he finds a particular satisfaction in seeing his work

appreciated on the stage, seeing the twinkling of rhinestones from the distance.

He also likes to design pieces that are a bit more editorial, seeing fashion design as an

expression of art. As a pretty shy person, Kaimi feels that he is able to communicate who he is

in large part with how he designs. 

So what is the hardest part for Kaimi in terms of execution, design, or style?

He says, “I think style is so subjective and intrinsically unique to each person, whereas design is

more of a science. You're taking measurements and creating a 3-D garment from flat fabric. I

have such an appreciation for design and the way that garments are constructed.

When I look at a piece of clothing in the store, I'm looking at the fabrication of the material, the

seams on the garment, the way they finish the garment, the stitching, and even the inner

workings of a garment like shoulder pads or boning channels. Each garment's construction has a story itself, almost like the signature of a designer, and it's like looking at the schematics for a


Working in alterations, he sees a lot of variation in the design elements and finishing. One

of which is pants; as some pairs of jeans have a basic double fold hem, and some with a

distressing on fading. The approach to altering them differs. The same goes for pants, most knit